The Abandoned

Title: The Abandoned
Release Date: 2015
Rating: 2.5 out of 4


A fitting title for this post, the first in over two years! Oh well, they are still making horror movies, so I guess I'll still review them.

This is a good example of poor pacing, with fits and stops, slow lingering shots of nothing, and then lots of action all at once. I think the screenwriters stuck to one of those formulas they talk about in How To Write Screenplays books, and it just doesn't work to this film's advantage. Instead of feeling like a roller-coaster it's more like a stationary booth that occasionally shakes around.

I saw some good acting from Jason Patric, and some middling to poor acting from Louise Krause. The whole film is basically these two actor's characters as they spend their time doing security for a big opulent yet empty building overnight. Its a great premise, but on execution its much less spooky than it sounds. Krause plays "Streak," who's having her first night on the job, overseen by her counterpart Cooper, a sexist alcoholic with a good heart buried underneath a rough exterior.

Streak uncovers a portion of the building that is "off limits," and ignores that and delves right in. That's when ghosties (or are they hallucinations?) start to creep around and the suspense picks up. Honestly, its a real slog with just enough interesting moments to keep you watching until the end.

I have to say, however, the last 5 minutes, where the twist is revealed, I found to be very fulfilling and well-done. It breaks through its chains of psychological thriller cliches and ends up being something refreshing, and even, dare I say it, original.

I want to see more from the filmmaking duo Eytan Rockaway and Ido Fluk, but I want to see something bolder, less hemmed in by conventions and formulas. I am convinced they have it in them to do better.

Psych: 9

 

TITLE: Psych: 9
RELEASE DATE: 2010
SCORE: 1.5 out of 4

This film straddles the line between psychological thriller and supernatural thriller, but its perch is precarious.  The obviousness of the later reveal renders large portions of the movie as tedious set-up to what you know is going to be a grim and meager payoff. Then the movie forgets itself and tries for something half-clever, but leaves us with a muddled ending that tries for ambiguous and lands somewhere short of comprehensible.

The plot is basic, and lifted from countless predecessors (such as Session 9, a movie with a nearly identical set up and many other obvious similarities): a young single white female starts a job doing tedious filing work for the psych ward of a hospital which has been closed down. She thinks this will be relaxing but actually the spooky setting and long hours alone start to fray her nerves. She picks up smoking again, her marriage starts to deteriorate as does her mental health as she becomes plagued by paranoia and nightmares. Slowly her past is unraveled as she begins to have therapy sessions with a psychiatrist who is occasionally around, apparently tying up loose ends or something...

This character study is "added" to by a serial killer subplot which acts as the catalyst for the final, and not quite understandable, denouement. The film presents two mutually exclusive possibilities for the events that unfold before us, but these possibilities are also each internally inconsistent and don't hold up to scrutiny. The third possibility is so vague and barely realized that I'm not sure I even know what it might be.

Its not a stinker; the production values are fairly high and the acting is good for indie horror standards. Unfortunately, the film also suffers from some of the common afflictions that come with a small budget - a cast of six characters, a total of four sets, hardly any establishing shots, and so on. I think a really good film will transcend its budget - and tell a story where these things don't really factor in at all; in fact many of the best horror films have had notoriously tiny budgets and its because of being innovative with constraints its part of the art of film-making.

All in all its mostly a retread of very tired psychological thriller tropes, lacking any spark of originality, done cheaply without much concern for artistry or cinematic depth. There's just barely enough meat on its bones to make it not terrible, but obviously that's not much of a recommendation.

Tell Tale

TITLE: Tell Tale

RELEASE DATE: 2009

SCORE: 2.5 out of 4

This is a fairly dull, lifeless effort by Director Michael Cuesta and Writer Dave Callaham. It amounts to little more than a textbook rendition of the old "transplanted organ takes over life of transplantee" trope. Basically a man is given a heart transplant, but the donor was killed by an elaborate conspiracy and the man with the heart now is compelled to seek them out and kill them.

Seems like good fodder for a horror film, right? Except there are like four dudes and there's a ton of screen time taken up by scenes between the guy, his lady friend and some kind of daughter surrogate girl character -- maybe his actual daughter, who knows -- very little was thoroughly explained and all the dialogue was muttered to give it that "gloomy" feeling.

I have to give it points because it was stylistically shot well and the editing and everything was very professional. There are a lot of hospital shots that are well done and add to the atmosphere very nicely. The dialogue and acting were well done as well. I suppose it wasn't torture to sit through, but I thought it was rather boring and played-out.